Tuesday 30 November 2010

Artemis, the Greek Goddess

"Artemis of Ephesus is divine." The country of great Artemis, the goddess of hunting and the chase, stood around the bay of the Kucuk Menderes river (kaystros). As time passed, the bay was filled with silt carried by the water of the river. In ancient times, before the Ionians, it is believed that a certain goddess of abundance ruled over the land. It is known that the old inhabitants of this country, that is, the Carians and the Lelegians, used to call the goddess of abundance whom they worshipped, "Great Mother". Though there is a big question as to what name she was called, we know that this goddess was worshipped. After the Ionians came to this city, they called the nameless goddess with the Greek name Artemis. When the Ionians came to the bay of Kucuk Menderes, between the two roads leading to the bay there stood a temple. This was surrounded with walls. In it there was a wooden statue representing Artemis the goddess. This was the first of many statues of Artemis and it was accepted as one of the 7 wonders of the ancient world. When Croesus, the King of the Lydians invaded this area, the temple was ruined, and so the king himself offered to build another temple of stone and presented some pillars to decorate the new Temple of Artemis. The temple site is now a ditch about one or two hundred metres on the right hand side of the road leading from Selcuk to Ephesus.

After Alexander the Great defeated the Persians in the year 334 B.C. he visited Ephesus, liked it very much and revered it. He organised a parade full of pomp in honour of the goddess. He promised the Ephesians that he would undertake all the expenses for Artemis, but the proud Ephesians declined this offer and smartly replied in such a way that even Alexander was pleased by the answer: "It would not befit a deity like you to build a temple to another deity". There was another reason for Alexander, who later received the title of "the Great" at the age of twenty, to feel such great reverence towards Artemis. When Alexander was born in Pella, the metropolis of Macedonia near Salonika in 356 BC, the Temple of Artemis in Ephesus was burnt down that same night by a madman named Herostratus, who wished to become famous by doing this. On a question about this to the Ephesians: "Why couldn't your goddess protect her temple from destruction by fire?" it was answered: "Because our goddess had gone to Pella to be present at the birth of the Great Alexander."

Today, only a huge ditch remains from the majestic and colossal monument of that age. After this conflagration, the new temple was erected with the assistance of the most famous Greek architects of the time, Praxiteles and Skopas, and decorated with statues. The statue of the goddess, ornamented with gold and brilliant marble, used to blaze in the light.

The story of "Great Artemis of Ephesus" is explained as follows: In the early days of Christianity, a conflict had begun between the God of Christians and all the pagan gods. One of those who carried out this campaign was St. Paul. During that period a certain jeweller, Demetrius, used to make silver miniatures of the Temple of Artemis and sell them. He heard that St. Paul stated that idols made by man could not be gods and should not be sacred and worshipped. Demetrius explained this situation to the artisans who worked in his workshop. As a result these men, who believed deeply in Artemis and considered that their interests would be greatly endangered if the temple lost its importance, marched to the great theatre in a group shouting: "Great is Artemis of Ephesus." It became such a big crowd that most people hadn't any idea why they came together.

This confusion was created by the artisans on purpose. Many orations were recited. Then the government took a hand in this affair and it was brought to court. As a result, St. Paul was compelled to leave the city. The Temple of Artemis was an architectural masterpiece which attracted people from all over the world for at least one thousand years as a holy place for pilgrimage. The most skilful architects and artists fashioned it.




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Monday 29 November 2010

Origin of Myths

Myths have been around since the beginning of time. It originated with the Greek's account of creation and covers subjects from origins of civilizations, hero's, customs and most any other imaginable subject. It has served as an excellent form for passing down history, and customs form one generation to the next; was one of the earliest forms of children's literature.

"In the beginning there was a period of Chaos, when air, water, and matter were combined in a formless mixture. On this floated a Cosmic Egg, from which there arose Gaea (Earth) and Uranus (Sky). These deities created the earth and its creatures and the Sun, Moon, and Stars."

The study of such is known as mythology. Where one studies a body or collection of myths belonging to a people addressing their origin, history, deities, ancestors, and heroes, or myths associated with an event, individual, or institution

Myth's origins have became even more prevalent and proved invaluable as an instrument in promoting and perpetuating religions, folkways and mores as civilizations evolved into more complex and intellectual forms; in primitive times in preserving a nations or peoples history and passing it down from one generation to the next.

In conclusion then we might purpose that it is from the study of humanities difference and similarities whether it be their cultures, how they view themselves or govern themselves that myths not only originated, they perpetuated.




Writing has become a habit which gets more enjoyable with each article submitted.

Sunday 28 November 2010

Face the Ancestors

Artistic Discontinuity

Humanity has witnessed a sad interruption in the progress of human sciences and arts starting around the forth century A.D. This gap of almost a thousand years mainly started as a result if the restrictive nature of the Roman or Byzantine Empire which ruled much of the world in the middle ages. By the 3rd Century A.D., man was standing on the verge of unlocking the great mysteries of the universe surrounding him. Greco-Egyptian scientists in Alexandria had theorized significant scientific frameworks to mathematics, geometry, physics and astronomy. Philosophy, art, literature, drama and religion have also reached new heights with the marriage of Greek philosophy and the vast body of Egyptian knowledge accumulated and stored by Egyptian monks and scholars over 4,000 years of tedious progress on the banks of the Nile.

The Fayum portraits stand witness to the validity of the artistic side of this argument. The Fayum portraits date back to 1st to 3rd Centuries A.D. They represent a development of the Egyptian funerary tradition which had manifested itself before in wall carvings, masks, ornaments and artifacts found in tombs of ancient Egyptians. But the portraits are so advanced in their artistic style, that can only be compared to paintings of the masters who came 1,500 years later! ''It is not until 15 centuries later, in the faces painted by Titian or Rembrandt's depiction of his own features as he saw them reflected in the mirror, that the same artistry that characterizes many of the anonymous painters of the Fayum is witnessed again,'' Euphrosyne C. Doxiadis, a Greek artist and author of ''The Mysterious Fayum Portraits,'' wrote in an essay in the catalogue accompanying an international show for the Mummy Portraits titled ''Ancient Faces'' in 1997. So, how, when and why did the art of painting stood still, indeed seemed to be "forgotten"?

Sinful Art

I believe that it had to do with restrictive and fanatic religious believes of monotheistic religions which soon swept the Middle East, indeed the world, coming out of the Middle East. At first it was the Roman or Byzantine Empire which employed Christianity probably as the only "official religion of the Empire". In 391, Christian Emperor Theodosius I ordered the destruction of all pagan temples, and the Christian Patriarch Theophilus of Alexandria complied with this request.

Socrates Scholasticus provides the following account of the destruction of the temples in Alexandria in the fifth book of his Historia Ecclesiastica, written around 440:

" At the solicitation of Theophilus, Bishop of Alexandria, the Emperor issued an order at this time for the demolition of the heathen temples in that city; commanding also that it should be put in execution under the direction of Theophilus. Seizing this opportunity, Theophilus exerted himself to the utmost to expose the pagan mysteries to contempt."

Colorless Centuries

The effect of this decree which banned the building of temples and the carving of images and sacred hieroglyphs was catastrophic on Egyptian arts which until that moment were connected to Egyptian religions and related rituals. The new religion came with its own set of rituals relating to death restricting Egyptian funerary traditions. The religious hysteria also had some serious implications on the progress of science and arts. Hypatia of Alexandria, daughter of the philosopher Theon, who made such attainments in Mathematics, Philosophy and science, was assassinated by an angry Christian mob. One day in March 415CE, during the season of Lent, her chariot was waylaid on her route home by a Christian mob. She was stripped naked and dragged through the streets to the newly Christianized Caesareum church and killed. Some reports suggest she was flayed with oyster shells and burned.

Islamic rulers, who governed Egypt soon after the Arab invasion in 639-641 A.D. also took a hostile attitude towards painting of human and animal images. This is why Islamic arts widely employed plants and geometrical shapes, avoiding depiction of human faces and figures to avoid revival of the worship of idols. The world was well into the dark ages. Almost ten colorless centuries had to pass before such art could be revived during the renaissance.

Resurrection of the Last Painter

How did the "last painter" feel, knowing that there are no more apprentices to carry out this artistic tradition? I can only begin to imagine the tremendous grief of this last talented man, knowing that with his death, his craftsmanship will soon be forgotten. But with the discovery of Fayum Portraits, these painters were summoned from the death and given a new life. The world today recognizes their art and talent some 1,600 years after their death and celebrates their works in major museums around the world. And after centuries of forgetfulness and artistic amnesia, we now pay tribute to those anonymous artists and salute their talent. The works of their "sinful" brushes are now "sacred" artifacts to many art lovers around the world.

The Artists

Back to painters of Fayum Portraits, there has been some controversy on the identity of the artists. Some researchers believe that those artists were Greco-Romans. This is somehow, in my opinion due to racial bias of the historians of the 19th and 20th centuries who adopted a Euro-centrist approach to the origins of classical civilizations and culture. Martin Bernal, in his trilogy, "Black Athena", which might just as well have been titled "Egyptian Athena", describes this bias and ascertains that much of the achievements of these classical civilizations should be credited to the Ancient Egyptians and People of the Levant. Why would Greco-Roman artists be found in such abundance in Fayum of all places? It only makes sense that these artists were Egyptian, and that their art is the natural progress of Egyptian arts depicted on the walls of tombs and temples for several thousands of years.

The Faces

Not only did the painters were Greco-Romans, some historians claim that the persons, the deceased depicted in those portraits also represent Greek settlers in Egypt. Those historians provide their theory that "It is estimated that as much as 30 percent of the population of Fayum was Greek during the Ptolemaic period, with the rest being native Egyptians." So, why would Greeks be concentrated in Fayum of all places, and why would they adopt these funerary traditions evidently Egyptian in origin and spirit? Examining the faces, they appear to be typically Egyptian, faces you would still see today walking the streets of towns and villages of Egypt.

The evidence, however, shows that when the dental morphology [1] of the Roman-period Fayum mummies was compared with that of earlier Egyptian populations, it was found to be "much more closely akin" to that of dynastic Egyptians than to Greeks or other European populations. So much for the subjects of these portraits being Greek! One can start to question the alleged Greek identity of the painters as well!

The Art

In an attempt to downplay the artistic value of these portraits, some analysts suggest that the Portraits were sort of mass produced. That they followed some sort of repetitive "templates" which the artists adapted to the specific faces of the subjects. The Fayum Portraits discovered, however, show unique captivating features which strike you with the depth of the Character of each person. We can not imagine how this could have been possible using such mass-production techniques. And even if such mass-production techniques were used, it can only take place when art is well-developed on the hands of Masters, such that less famous painters can imitate and mass-produce such authentic and genuine artistic advances. But according to Walker [2], "C.A.T. scans of all the complete mummies represented reveal a correspondence of age and, in suitable cases, sex between mummy and image, confirming that the paintings were made at the time of death. In addition, some portraits were painted directly onto the coffin; for example, on a shroud or another part." This further shows that the portraits were in fact individually painted and discounts the validity of the mass-production claims.

The dry weather of Egypt undoubtedly helped these paintings to survive centuries of neglect such that we can see them today almost intact and in such excellent condition which allows us to appreciate the art and beauty of these works. Together with the surviving frescoes and objects from Pompeii and Herculaneum, and tomb frescoes in Macedonia, Fayum portraits are the best preserved paintings from ancient times and are renowned for their remarkable naturalism.

Many museums around the world have fine examples of Fayum mummy portraits on display, notably the British Museum, the Royal Museum of Scotland, the Metropolitan Museum of Art in New York and the Louvre in Paris.

Oblivious

So, why then are these portraits not famous? How come we never heard about them before in Egypt? I believe that religious sentiments prevented these masterpieces from becoming local heroes at home and subsequently worldwide. The Portraits date back to what is known in Egypt as the "Coptic Period", to approximately mean the time when Egypt was predominantly Christian. This period is viewed with hostility by the authorities which prefer to connect Egypt more with its Islamic, rather than Christian heritage. But this is quite unfair for a number of reasons. First, we have not seen any Christian icons or symbols worn by the subjects. These portraits date back to the period between 1st and 3rd Centuries A.D. Egypt was then divided between old religions such as the Isis Cult, Hermetic traditions, Gnosticism and Christianity. And because of the funerary traditions observed in the mummies, it is unlikely that the subjects were indeed Christians. In fact, the title "Coptic" simply means Egyptian, derived from the Greek word describing Egypt "aiguptios", a word then modified by the Arabs to "Copts" which they used to refer to native Egyptians. On the other hand, until when can we ignore this "Coptic" period? We believe it is time Egyptians make peace with their past in its entirety.

Face the Ancestors

So, here they are, faces of the Ancestors, looking at us from centuries long-past, they are denied their Egyptian Identities by the Europeans, and denied resurrection by their own countrymen. But we believe that they deserve resurrection. They deserve recognition. And if we owe the living respect, we owe nothing to the dead but the truth.

References:

1) Irish JD (2006). "Who were the ancient Egyptians? Dental affinities among Neolithic through postdynastic peoples.". Am J Phys Anthropol 129 (4): 529-43
2) Susan Walker, Morris Bierbrier: Ancient Faces, Mummy Portraits from Roman Egypt, London 1997
3) wikipedia: Fayum_mummy_portraits
4) Under the Probing Gaze Of the Egyptian Dead, By ALAN RIDING, New York Times, Published: April 26, 1997



Saturday 27 November 2010

Capital Cities Tour: Discover Montgomery, Alabama

The first capital city of the Confederacy and an important link
in the renowned Cotton Belt, Montgomery is today more
widely known for its role as the unwilling host to the historic
Civil Rights marches, inspired by a local seamstress, Rosa
Parks, who was too tired to give up her bus seat on her way
home from work one day in December 1955. Her calm
defiance attracted the admiration of the city's popular
preacher, Dr. Martin Luther King, Jr., who emerged on the
local and national stage when he organized the famed
Montgomery Bus Boycott, which ignited the national Civil
Rights movement. Centrally located on the south bank of the
Alabama River, this capital city is emblematic of the historic
clashes from its role in the 1860's War Between the States
and its involuntary part in the Civil Rights movement 100
years later. Within one city block remnants of these
historical events compete in their respective historic
structures, memorials, monuments and
museum exhibits.

Things to See in Montgomery:

o State Capitol

This 1850 Greek Revival Capitol is famous for two events:
First, in February 1861 on the front portico, the new Southern
Confederacy inaugurated Jefferson Davis as the President
of the Confederate States. The second event taking place on
the same spot 104 years later, March 1965, Dr. Martin
Luther King, Jr. ended his Selma-to-Montgomery Civil
Rights march. Beyond this historic portico the doors open to
a grand foyer flanked by a pair of white spiral staircases
curling up three stories. The Capitol's pink and gold
neoclassical Rotunda features a glorious stained glass
skylight. Eight large murals designed in the late 1920s by
Alabama artist Roderick MacKenzie decorate the walls. The
murals show scenes from Alabama's history, such as the
arrival of deSoto, the French settlement, early pioneers,
antebellum life, the Confederacy and commercial
development.

Check it out . . . The original "Governor's Suite" and the
"Secretary of State Suite," on the first floor preserve
furnishings and documents from the period of
1870s-1880s, presenting a tactile peek into the past.

Check it out . . . On the Capitol grounds, 50 flagpoles wave a
flag from each state on a semicircular walkway called the
"Walk of States." Beneath each flag lies a stone
nameplate--donated by each state from material
indigenous to its terrain. A few of the stones are
semiprecious, such as turquoise from New Mexico.

o State Archives and History Museum

Founded in 1901 the Alabama Department of Archives and
History was the first state archival agency in the nation. The
museum, housed in a beautiful turn-of-the-century building
with marble walls and staircases of Tennessee gray and
Alabama white marble, displays changing exhibits relating
to Alabama history, including interpretive hands-on
galleries. Of particular note is the 19th century gallery on the
second floor featuring unusual items, such as human hair
jewelry made by Mrs. Jefferson Davis, antebellum quilts,
and the Alabama State Bible. A room dedicated to former
Vice President William Rufus King is also on the second
floor. King, a North Carolina native, was born April 7, 1786
and at the age of 29 served as a North Carolina
representative in the US Congress. He resigned in
November 1816 to accept a post in Russia. When he
returned, he became ill and moved to Cuba to recuperate. In
1819 he moved to Alabama and when Alabama became a
state in December of that year, he was elected to represent
the new state in the US Senate, and reelected more three
times before being appointed Minister to France in 1844. He
was elected again to the US Senate in 1848 but resigned in
1853 to serve as Vice President under Franklin Pierce. He
took the oath of office on March 4, 1853 but died soon after,
on April 18, 1853. The room dedicated to William Rufus
King displays some of his personal clothing, furniture,
china, and silver, and other items he collected from his
foreign posts. It also displays documents that reveal
fascinating things about this relatively unknown political
figure and the times in which he lived.

o First White House of the Confederacy

A simple, unassuming dwelling, the First White House of
the Confederacy was the makeshift executive mansion
donated by a local merchant and hurriedly established to
serve as temporary living quarters for the newly elected
President Jefferson Davis and his family who lived there
three months before the Confederate capital moved to
Richmond. Conveniently located across the street from the
State Capitol, the White House of the Confederacy allows
self-guided tours. All the rooms on the first and second floor
are open to visitors. Period furnishings, personal items
belonging the Davis family, photographs and documents
present a keen insight into the early days of the Civil War,
the South's prominent leader and his personal struggles.

o Dexter Avenue King Memorial Baptist Church

Dr. Martin Luther King, Jr. Began his ministry at the Dexter
Avenue King Memorial Baptist Church, which served as
headquarters for the 1956 bus boycott. A large mural in the
church basement depicts the influential people and
landmark events of Civil Rights movement from the 1950s
to 1970s. A short film supplements the mural.

o Civil Rights Memorial

Just outside the Southern Poverty Law Office, kitty-corner to
the State Capitol and a block from the Dexter Avenue King
Memorial Baptist Church, is the impressive The Civil Rights
Memorial, designed by sculptor, Maya Y. Lin, who also
designed the Vietnam War Memorial in Washington, D.C.,
and dedicated on November 5, 1989. Etched on a round
altar of smooth black granite is a chronology of the Civil
Rights events and the names of 80 martyrs who died in the
struggle for racial equality. Water bubbling from the altar's
center flows over the timepiece past the words of Martin
Luther King (paraphrasing the Bible), "Until justice rolls
down like water and righteousness like a mighty stream." A
beautiful and emotional memorial.

o Jasmine Hill Gardens and Outdoor Museum

The Olympian Center, featuring a replica of the Greek
Temple of Hera, is the centerpiece of this 20-acre flower
garden ablaze in colors all year long.

o Alabama Shakespeare Festival

Located in the expansive green gardens of Wynton M. Blount
Cultural Park, the nationally-acclaimed Alabama
Shakespeare Festival is the fifth largest in the world.
Presenting both classic and contemporary productions, it
also offers year-round educational programs. The Alabama
Museum of Fine Arts is also on the grounds. With its acres
of ponds, gardens, museums and theaters, the Wynton M.
Blount Cultural Park is the place to go for art and nature.

o Scott and Zelda Fitzgerald Museum

Housed in the modest home where the Fitzgeralds lived in
the early 1930s while Scott wrote "Tender is the Night," the
museum features personal belongings, furniture,
photographs, and manuscripts of writer F. Scott Fitzgerald
and the rare diaries and unpublished paintings done by his
talented, Montgomery-born wife Zelda. Each room contains
memorabilia that speak volumes of their unusual
personalities and strange life together. On the screened-in
side porch of this old rambling house, the museum plays a
film of their sad story, told through interviews of surviving
relatives and friends.

ALABAMA TOURIST INFORMATION: (800) 252-2262




Priscilla Faith Rhodes is the author of DISCOVER AMERICA DIARIES: 50 STATES, 50 STATES OF MIND, and co-publisher of the award-winning website, Postcards from America, http://www.postcardsfrom.com, a edu-travel site that helps students and families learn about America through postcards.

Friday 26 November 2010

Ancient Greece Citizens

When we use the word "citizens" we are usually referring to a group of people who live in the same city, with a common origin, language, customs and laws. According to Plato, the ideal city should have no more than 5000 inhabitants, so that they would all know each other. But in 5th century Athens, things were somewhat different, with approximately 40,000 citizens, 20,000 metoici (resident aliens) and about 100,000 slaves. To these we must also add the women and children, who were never included in the numbers of inhabitants.

The male inhabitants of Athens were divided into three groups: citizens, metoici and slaves. Athenian citizens were only men 18 years of age and older whose forebears had been Athenians for three generations. These fortunate people enjoyed all the rights of free men and could be elected to all the offices of the State. The villager who arrived at dawn from Acharnes in order to take part in the daily draw for participation in some service, had the same possibility of being elected as the son of the old-time aristocrat. This ability to concern one's self with public matters naturally persupposed the existence of leisure time. Athenian citizens preferred not to work, but rather tried to be men of independent means, having others look after the cultivation of their lands and the administration of their property. Manual labour, even artistic creation, was considered by many to be degrading. Despite this, Socrates made a speech urging the poor people to work, even though he himself did precisely the opposite. The need for manpower was often covered by the thetes who were the poorest of the citizens and made their living as workers or as rural day-labourers. In this way, wealthier Athenians were absolutely free to occupy themselves with public matters, primarily with politics. But the poor citizens were obligated to present a certain minimum attendance at the Assembly, and for this reason the state had the foresight to provide some money for those who represented their tribe at sessions and trials, thus at least making good their lost earnings.

All inhabitants paid the same taxes. In addition, the wealthy undertook sponsorships thus acquiring both the moral satisfaction of their contribution and the social prestige. They served in the army in accordance with their income: as knights with their own horse and a suitable retinue, or in the navy as captains of trirenes, which they themselves took care to man. The poor but proud thetes frequently preferred the harsh life of the oarsman, solely to show their identity as free equal citizens, even though the earnings were meagre. Wealthy, poor or destitute, Athenian citizens were all extremely proud of their origin, so proud that they never called their city "Athens" but the "city of the Athenians". Participating in the administration of the Polis was taken for granted for the citizen who voted, judged and, like all people with plenty of free time, took care to be informed about what was happening in the city. This dedication of the Athenians to public life made them obey the laws and worry about any possible breach of the law which would cause them to be downgraded through the loss of their citizen's rights.

One might say that the biographers of the Athenian citizens were Aristophanes, Plato, Xenophon and Plutarch, each from a different point of view. Much of what we know about the working classes is taken from peevish references in the comedies of Aristophanes, whose sharp tongue conceals nothing. He may have been making fun of the village lout, who went to the Agora reeking of garlic to hear a philosopher speak without realising it, but he also gave us information about each person's chances of acquiring knowledge. From the kindly villager Strepsiades in Clouds, we hear complaints about his wife, a woman from the capital city, who makes him wash and take off his comfortable but dirty clothes, and we realise that an unsuitable marriage has always been a disaster. Xenophon, also, was a practical man of the city who fought far away from his homeland, became acquainted with the people of other countries and developed the taste for a city open to all kinds of positive influences, even foreign. This breadth of mind may perhaps have been the natural destiny of a dynamic man who undertook to lead his fellow soldiers from distant Mesopotamia, through the highlands of Armenia, to the shores of the Black Sea, and finally home. Plutarch, too, who was born in Chaeronia in the first century AD, has left us invaluable information about public life and chiefly about certain famous Athenians whom he included in his Lives.

Plato, one of the most significant figures in the history of philosophy, was born of a father who came from the Kodros family, and a mother from that of Solon. He usually wrote in the form of a dialogue in which he himself did not appear, although he put his views into the mouth of Socrates, his teacher. Plato enlivened his social environment in which refined men went to symposia and exchanged views about philosophy or music. At the home of the enormously wealthy Kallias, for example, intellectuals speculated on whether virtue could be taught; they would spend their evenings with music from a lyre accompanying their conversation or perhaps with the occasional song. Although all had some musical training, no one would agree to play the flute, because to do so one had to disfigure one's face by puffing up one's cheeks to make sound. At the most famous supper in history, the participants selected eros (love) as the subject for the evening. This was the Symposium at which well-to-do Athenian citizens represented by aristocrats, men of learning, poets, politicians and philosophers joined together in a lively discussion. Together with Socrates, the invited guest, they also welcomed a poor barefoot man who was fortunate enough to be Socrates' pupil and follower. Each one spoke on the selected topic, expressing his views in a witty and pleasant way. At some point the handsome Alcibiades appeared, roaring drunk, leaning on a courtesan and garlanded with Attic pansies. Even though a great deal of wine was consumed, the discussion continued without exceeding the bounds of propriety, while other groups of revellers were constantly coming and going.

They all agreed that eros has the greatest power since it awakes in human beings abilities to distinguish themselves and that it also is a factor deterring unseemly behaviour, as one is afraid to lose face in the eyes of the beloved. Everybody distinguished the transient physical attraction of Aphrodite from the uncorrupted beauty of Urania who brings souls closer together, approaching perfection. They would say in jest that eros always looks young because by leaving, he avoids growing old; and perhaps he is always immortal because he lives, is lost and is reborn again. They concluded that what is important in love is quality, to whichever sex one's love is addressed, because eros is the purpose and not the object of desire. Such were the surroundings of the golden youth of Athens who, listening to such lofty discussions, would fall in love at will, admired physical beauty and the intellectual vigour of wise men with equal ardour, and whenever required, went into battle where they won awards for valour. Athenian citizens were people who could live in a democratic world with the subtlety of an aristocrat; they obliged Plato to say how praiseworthy was the man who could distinguish between the three gradations in the human personality: free speech, courage and base desires. The ideal citizen never allows the first two to be subjugated by the last.

The large number of metoici was a purely Athenian phenomenon, as xenophobic Sparta kept those who were not from its region at a distance. Athens on the contrary, was open to Greeks from other cities and even to foreigners who wished to live and work in Attica. The metoici had all the obligations of the Athenian citizen but enjoyed very few of his rights. They lived scattered over the townships, paid taxes and served in the army only as hoplites (footsoldiers). They were able to acquire goods and slaves, but were not permitted to own land. They could worship any gods they chose, but had no right to vote nor could they be elected to any important office, only to the lower ones, e.g. as heralds or contractors for public works. Most of them were artisans, merchants and a good number acted as bankers.

Since they constituted the productive class, many of them became wealthy and distinguished themselves through sponsorships, indeed some became legally accepted into the class of citizens. On the contrary, if a metoicos attempted to usurp the rights of the free citizen illegally, then he was downgraded to a slave. In trials, metoici always had to have the support of an Athenian citizen as guarantor and it is characteristic that if a metoicos killed a citizen, he was condemned to death, while if he murdered another metoicos, the punishment was only exile. The children of marriages between citizens and metoici were not considered to be Athenians unless they won general esteem through wealth or special acts. Many famous artists and philosophers in ancient Athens were metoici and it seems that they accepted their treatment as second-class citizens without protest. Generally, Athenian citizens treated metoici with the politeness of a host toward a welcome guest, up to the point where vested interests were affected, and above all the inherited tradition of the state.

Women, in the homes of both citizens of Athens and metoici, had absolutely no right to hold an opinion or to participate in public affairs. The Athenian imagination justified depriving women of their rights since the goddess Athena had won the contest for the naming of the city by just one female vote. It was then that the matriarchy was nearly set aside in favour of the warrior protectors, who never tolerated female initiatives, which is why women were punished by being excluded from any future important decision. This happened at the time of Kekrops who established marriage as a consolation, making it the primary goal in the life of Athenian women. And of course, marriage meant having children, which is why from birth to death, the female Athenian remained confined inside the home. Girls were married very young to a husband selected by their fathers, to whom they owed absolute obedience. They had to be fully familiar with housekeeping, command the respect of the household slaves and be imbued with a spirit of economy. If an educated slave happened to live in the house then there was a possibility that the girls would learn some reading and writing; but more frequently they were taught only music and dancing.

If a daughter happened to be the sole inheritor of the patriarchal fortune, she would be given in marriage to the closest relative on her father's side, even with a brother of the same father, but never one by the same mother, because the genuine blood line was regarded as being only from the side of the mother. In the event of a request for a divorce, the interested woman had to present herself to the Archon, a virtually heard-of procedure. But even if some desperate women dared, the possibilities of being heard were minimal. There is the example of Hipparete, wife of the incorrigible Alcibiades, who at some point, could no longer stand the incongruities of her marriage. The courageous lady took her application to the Archon, but Alcibiades was notified by his friends, and instead of being divorced, caught her and shut her up in the women's section of the house, without anyone objecting.

We have a good deal of information about Athenian women from Xenophon who wrote about a certain Isomachos, about 30 years old, who married an ignorant 15year-old girl and announced her duties to her: to cook, weave, oversee the slaves, avoid waste and above all to be obedient to her husband. Plutarch also spoke of the dignity of Athenian women and the modesty of their dress, as opposed to the athletic young Spartan women whom he referred to contemptuously because they wore short tunics that showed their thighs. But it was Aristophanes who castigated the dynamic women who dared to protest; his Lysistrata demonstrated the opinion of the ancient Athenians about where the power of women lies. In the Ecclesiazouses, he notes sarcastically that everything has always taken place behind closed doors, without disturbing the calm of ignorance and custom.

Perhaps the most succinct indication of the status of women in Athenian society was that of an orator who said that women fall into three categories: courtesans for the delight of the spirit, concubines for pleasure, and wives for the acquisition of legitimate children. It appears that things were so difficult for wives that Solon instituted a law demanding that Athenian men who happened to have property from their wives, visit them in their chambers at least three times a month in order to produce a male heir to carry on the family name. In the Symposium, Socrates noted that men have fewest conversations with their wives, and mentioned the name of a certain Nikiratos who was bound to his wife by true mutual love, a very rare occurrence. Plato, too, suggested that marriage based on love would be better; but this was for the ideal utopian "Republic" and not for the Asty of reality.

The instruments of pleasure, the hetaeres (courtesans), were of two types: the common ones who were called walkers and the special ones, who lived on the support of their rich patrons. Selected from childhood for their physical beauty, they were especially trained to be pleasing. They were the only women who could circulate freely and thus many of the courtesans had the opportunity to receive an education by listening to the various philosophers. In all symposium scenes, we can see young hetaeres. Orchistrides danced and the avlitrides played the flute and chatted with the carefree revellers whom they were entertaining, whose homes were supervised with the zeal of Cerberus by the dignified lady of the house, who always carried bunch of keys at her waist. The homes of the famous hetaeres were open to philosophers and artists, who would meet in a highly intellectual atmosphere; many of these women used their charms for diplomatic or spying purposes: situations as old as society. One famous hetaera was the beautiful, learned Aspasia from Miletus, who so influenced Pericles and so provoked the envy of the Athenians.

Representations on ceramics show us scenes from a very controversial phenomenon, pederasty, which was one outlet for the instincts in a society where women were confined to their apartments and were without interests or education. Another reason was that constant wars kept the male population far from home. The rise in pederasty coincided with the cult of the naked male body which we admire in the young kouroi. But also, in a society where the father, when he was not at war was busy with public matters, it was natural for a boy to seek guidance from some older friend of the same sex, creating a relationship between an experienced person and someone to whom he passes on his knowledge. It is noteworthy that the lovers were always very masculine and never appeared to be feminine or dressed in women's clothes. Plutarch said that when the young man's beard began to grow, that was the end of the relationship, which was socially acceptable.

It was noted earlier that Plato in his Symposium presented a unique analysis of the concept of eros, the beginning and end of which was intellectual unanimity. It is possible that at this very famous supper, Alcibiades in a jest created a jealous scene over Socrates, but he himself, whom Plato called the "image of eros" died in the arms of a famous courtesan Timandra, mother of the equally famous Corinthian Laida. Of the ten people present at the symposium, only two were conscious homosexuals: the host Agathon and his companion Pausanias. As for Socrates, he was presented there as paragon of abstinence, even though he had had too much to drink, and even though he was provoked shamelessly, because in any relationship, what was important was the mind and not the instincts. It seems that pederasty rarely turned into homosexuality. This male companionship was usually limited to teen-age. Moreover, the phenomenon was restricted after the 4th century, when the various presentations on pottery show the great majority of couples to be heterosexual. But let us leave the private life of the Athenians and talk about another social presence in the Polis, that of the slaves.

In order to expand their businesses, metoici bought ever more slaves. Thus a third group of inhabitants of Athens was created: people who had few hopes of improving either their own lot, that of their children or of their children's children. In Attica, slavery had begun in the mythical time of the Pelasgians. The construction workers brought in from elsewhere to build the first Athenian walls annoyed the women and children of the local people at the well from which they all drew water, and for this reason, the angry Athenians took them prisoner and began to use them as servants. According to Plato, true slaves had to be foreigners, mainly prisoners of war; he recommended that his fellow citizens avoid buying enslaved Greeks from other regions. The slave trade flourished in ancient Greece and we wonder how a wise man like Aristotle can refer to these unfortunate creatures as being like wild animals.

The largest slave market in Attica was in Sounion, obviously for the needs of the mines in Lavrion. The slaves who were bought and became metallevomenoi (mine workers) were the most unlucky because few of them lived very long, due to the hard work and appalling conditions. To this day, the Greek word ekmetallefsi means exploitation. Family slaves had a much better fate, even though they too were considered to be a type of property.

When someone bought a slave and took him home, the lady of the house made him sit at the family hearth and the other members of the family sprinkled him with nuts, giving him a name. From that moment on, the slave was an inseparable member of the family and had to participate in sacred rituals. If he had children, they belonged to the family and when he died, they buried him in the family grave. He had no rights, apart from the possibility of appealing to the altar in the Agora, and to request sanctuary if his life was unbearable. But he had to prove his case.

No Athenian citizen or metoicos considered himself to be worthy of respect without a few slaves. It is believed that every home had an average of about 10 slaves, who looked after the household tasks and also accompanied their masters in their public appearances. In wartime, slaves followed on foot, carrying their master's weapons or holding slingshots. In the event that a slave was educated, he served as a teacher of the young people of the family, passing on his knowledge to them and accompanying them to the higher schools and gymnasia. Information has come down to us that quite a few slaves were given their freedom, promoting them to the group of freemen, but the bonds with the family always remained very strong.

Looking at the various inhabitants of Athens, we are often surprised by their way of life and by their values which are frequently incomprehensible to people living today. But we have an enormous obligation to all of them for their contribution to the heritage they left behind: to the wealthy for the mind, to the workers for the art, to the women for maintaining the family, to the slaves for the endless free and creative hours enjoyed by their masters. Pragmatists and poets, merchants and philosophers, warriors and peacemakers, the ancient Athenians cultivated clear thought with their minds which, with boldness of inspiration and freedom of expression, made them the epitome of their age, and the founders of Western civilisation.




To learn more about Athens, the Greek Islands and the rest of Greece take a look at the useful Athens Guide and Greece Guide.

Thursday 25 November 2010

Relive the Ancient Days With a Greek Goddess Halloween Costume

Every one just loves the mysterious world of Greek mythology. During the ancient times, every thing in this world was believed to be governed by certain gods and goddesses. Respecting and worshiping them was thought to bring good luck and fortune among the people. The Greek gods and goddesses are certainly one of the mythical characters recorded in history. That is the reason why they have been eyed for great Halloween costumes, most especially these elegant Greek Goddess Halloween costumes.

Relive the ancient days by getting yourself a Greek goddess costume. First of all, you need to choose which goddess do you want to be? Do you want to become the goddess of love, beauty and lust, Aphrodite? Perhaps you want to be more wild and fierce just like the goddess of hunt and wilderness named Artemis? If you want to, you can become the world's most intriguing goddess paired with your most handsome Greek gods.

Just take a pick. You can find a remarkably long list of Greek goddess known for several centuries. Every one of them has their own characteristics that highly portray the nature which they rule on earth. Thus, you can always find that one Greek goddess that will perfectly fit with your persona. Whoever that goddess you would want to be, you can best depict their god-like, beautiful and mystical features by wearing a replica of their prehistoric outfit.

When looking for a Grecian costume, always remember the personality of the character you are portraying. Whether the goddess is sweet and charming or serious and fierce, thus it is also a must to read more about them. However, you can just add little details about them and just concentrate on the main outfit. The main outfit that you need to find is this silky and long flowing robe. The robe can be white, cream, black, as well as a two-color combination robe with gold details. A cape draped over the shoulders can beautifully accentuate your sexy figure, truly that of a well-admired goddess.

You can also fix your hair up, or lay on one side of the face, or you can just curl it and wear it loose. Just do not forget to wear that golden leaf headpiece and apply some Greek-inspired makeup to complete your goddess costume. You can make it simple just like that, since Greek goddesses are known for their pure simplicity. No other outfit can best define their true beauty since it is from their hearts where most beauty lays the most.

Thus, whether you want to be Aphrodite, Artemis, Athena, Hestia or Hera, you will surely knock out every lady in your Halloween party with the powers of your enchanting Greek goddess costume.




Reign your Halloween party with this excellent Greek Goddess Costume. For ladies, this Adult Greek Goddess Halloween Costume is perfect for you!

Wednesday 24 November 2010

Top 3 Tourist Attractions in Athens, Greece

If you are visiting Athens, then you will want to read this article. Below you will find the top 3 attractions in Athens. Don't waste time here and there, because these are the most important sights.

1) Acropolis and the Parthenon
The rock of Acropolis and the Parthenon is definitely your first choice in Athens. You will walk in the ancient ruins, to a path that leads up, to a breathtaking view, of the city. See Parthenon and admire every handmade sculpted design on the marble. Make sure to visit the new Acropolis Museum. This sightseeing includes a long walk, so be prepared.

2) Ancient Agora
Ancient Agora was the place that ancient Greeks center of politics. It is a green space with view of Acropolis. There you will see the remains of the ancient Forum, the temple of Hephaestus which is the best preserved Greek temple, the Stoa of Attalos and other monuments. Acropolis is very close, so you can combine visiting both.

3) Cape Sounion
You have to take a bus from Athens to go to Sounion Cape. It is a beutiful place, outside the noisy city. There is the temple of Poseidon, God of the Water World. Stop for some moments to enjoy the view of the Aegean Sea. It is a nice idea to go catch the sunset there and maybe end up one of the nice local restaurants there.

Athens is a big city, and there are many things worth seeing. These are the tourists most favored. You may also want to just wander around and discover other minor monuments. Hope you liked this short introduction.



Tuesday 23 November 2010

Custom Outdoor FireBowls - A Review of the Work of John T Unger

Custom outdoor firebowls made by John T. Unger are decorative, functional and created with materials that help us preserve the environment for future generations.

If your looking for something unique to cap off your outdoor recreation space these custom outdoor firebowls are just the thing. John T. Unger, an artist living and working in Michigan has managed to take scrap metal and create some of the most beautiful pieces of art that I have ever seen.

His custom outdoor firebowls are made from scrap steel and require little or no maintenance and will provide you , your family and your friends with years of use and beauty. They help cast an image of warmth and light that reminds me of the Greek god Zeus as he sits on his throne contemplating on his human subjects! As John puts it, right now is "a time to reinvent, renew, re-envision and re-engineer" and that is exactly what he does with these unique, creative, and handcrafted outdoor fire bowls.

Any of the custom outdoor firebowls, by John Unger will bring your backyard, patio, deck, entryway or outdoor living area alive and help to create a space that is serene and yet, at the same time, powerful. From one end of the country to the other you can see John's magnificent firebowls in settings that are unique and imaginative. One client of John's lives in the mountains of Utah and put his fire bowl in such a position that it appears to be a beacon to the gods!

Almost all of us have memories of camping and sitting around the fire with family and friends just talking the evening away. Whether it be ghost stories for the children or reliving memories with friends, a fire just seems to bring out the past in all of us. Humans have been fascinated with fire since we first "discovered" it!

With a custom outdoor firebowl, you can bring that primordial feeling into your own backyard living area. Just image the years of enjoyment and serenity as you sit by the fire on a cool summer evening with friends and family - maybe with a little cheese and wine, (or popcorn and soda!) and whiling away the evening with a good group of friends talking about the worlds problems, your children's successes and days gone by when things were simpler and more relaxed. And that the whole point. To relax, to enjoy the beauty and to be comfortable with family and friends.




There is a wide variety of sizes and shapes of these custom outdoor fire bowls. The firebowls are created in a wide range of sizes and shapes. They are available with gas conversion kits as well. To see some sample pictures visit Custom Outdoor FireBowls. They are simply fantastic and a must have for any outdoor living space!

Monday 22 November 2010

The Male Greek God - The Single Best Workout Method For Men to Build the Perfect Body!

Guys, I have been training athletes and serious fitness junkies for a long time. I have seen many men with varying degrees of athletic performance and strength that represents the true nature of what defines a truly "Fit" man! The best method of training that I have seen to assist in the development of these individuals involves the implementation of kettlebell training!

That's right, I said kettlebell training. By now you may be familiar with the ancient kettlebell and understand that this strength and conditioning device has been around for over three centuries. This is not some ridiculous fitness fad that will disappear tomorrow. It has been the leading bodybuilding exercise for men for over three centuries and I think it may last three more centuries. This ancient form of strength and conditioning is so dynamic in nature that I consider it to be the best workout routine for men, period. The single most basic strength endurance lift that is performed with the kettlebell is known as the double arm kettlebell swing. This single lift incorporates over hundreds of your muscles and is a tremendous exercise for developing six pack abs, is a serious cardio workout for men, and is a top notch exercise for building overall muscle mass! You can't go wrong with kettlebell training. If you have not gotten acquainted with the kettlebell then do it.

If you are serious about obtaining the level of TRUE MALE Greek God status then you have got to incorporate this style of training into your personal program. Remember that anyone can train hard, but only the best train smart my friend!




To learn more about how to utilize your body, Kettlebells, and to achieve Mind Blowing fitness get your copy of My "Better Than Steroids Ebook" by clicking here: http://www.betterthansteroidsebook.com

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Sunday 21 November 2010

Ancient History - Athens

Archaeologists have found evidence that Athens has been inhabited from at least the fifth millennium BC. The site would have been attractive to early settlers for a number of reasons: its location in the midst of productive agricultural terrain; its closeness to the coast and the natural safe harbour of Piraeus; the existence of defensible high ground, the Acropolis (from akron and polis, or 'city on the high ground'); and the proximity of a natural source of water on the north-west side of the Acropolis.

Traces of Mycenaean fortifications from the thirteenth century AC can still be seen on the Acropolis, including some foundations belonging to what must have been a palatial structure. The fortifications, known as the 'Pelasgian' walls (after the indigenous people believed to have built them before the arrival of the Greeks around 2000 BC), remained in use until the Persian Wars of 490-480 BC. One stretch behind the temple of Athena Nike appears to have been deliberately preserved in the Classical period.

There was a decline of Mycenaean society across the Greek world around the end of the twelfth century BC. Whether this was directly connected with the Trojan War (around 1184 BC), or the so-called Dorian Invasion thought to have taken place soon after this conflict, Athens does not appear to have succumbed to an attack. The Mycenaean royal family of Pylos is said to have taken refuge in Athens after their city's fall to the Dorians. One of its members, Codros, became king of his adoptive city.

The collapse of Mycenaean civilization left Greece in political, economic and social decline, accompanied by loss of artistic skills, literacy and trade networks. The Mycenaean form of writing, known as Linear B, was completely forgotten, and the Greek alphabet did not emerge until the late eighth century BC as the new form of writing. At this time city states began to emerge throughout the Greek world, governed by oligarchies, or aristocratic councils. Thirteen kings ruled in Athens after Codros, until in 753 BC they were replaced by officials with a ten-year term, known as decennial archons, and in 683 BC by annually appointed eponymous archons.

Conflict between the oligarchs and the lower classes, many of whom had been reduced to slavery, led to a series of reforms that paved the way for the emergence of the world's first true democracy. Around 620 BC the lawmaker Dracon set up wooden tablets on the Acropolis known as axones. These were inscribed with civil laws and punishments so harsh that the death penalty was prescribed even for minor crimes, giving rise to the term `draconian' which is still used today. Dracon's intervention did little to ensure order, prompting representatives of the nobles and lower classes in 594 BC to appoint the statesman and poet Solon as archon.

Solon terminated aristocratic rule, setting up a representational government where participation was determined not by lineage or bloodline, but wealth. He eliminated slavery based on debt, and restituted freedom and land to those who had been enslaved. Solon created a `Council of Four Hundred' from equal numbers of representatives of the Ionian tribes to which the Athenians claimed to belong, and instituted four classes of citizenry.

Peisistratos, Solon's younger cousin, became tyrant (tyrannos) of Athens in 545 BC. He ensured the Solonian constitution was respected and governed benevolently. After Peisistratos' death, however, things took a negative turn and anti-Peisistratid sentiment grew. By 510 BC King Cleomenes of Sparta was asked to assist in deposing Peisistratos' son Hippias. Hippias sought refuge in Persia at the court of King Darius.

Soon after, the aristocrat Cleisthenes promised to institute further reforms giving a more direct role to citizens in government. His reforms were passed in 508 BC, and democracy was established in Athens. A new `Council of Five Hundred' (the Boule) replaced the 'Council of Four Hundred', with equal representation from the various tribes. Cleisthenes is also credited with instituting the system of ostracism, which 'voted' an individual considered dangerous to democracy into exile for ten years.

It is uncertain when the former Mycenaean citadel was transformed into a sacred precinct but by the late eighth century BC a modest temple (or perhaps more than one) stood on the plateau. The oldest and holiest cult image on the Acropolis was the statue of Athena Polias (Protectress of the City), a crude olive-wood figure, so old that Athenians of the Classical period believed it had either fallen from heaven or been made by Cecrops or Erichthonios. This sacred image of Athena was ritually 'dressed' every year in a peplos, a sacred robe, as part of the Panathenaic festival.

A temple is thought to have been built around 700 BC to the south of the later, Classical Erechtheion, to house the statue of Athena Polias. The first major building of which there are significant remains on the Acropolis was the so-called 'Bluebeard Temple', built in the Archaic period around 560 BC. The 'Bluebeard Temple' is thought by some to have stood to the south of the later Erechtheion. Ancient texts mention a mysterious building or precinct contemporary to the 'Bluebeard Temple', called the Hecatompedon, or 'Hundred-footer'. Whatever this structure or place was, it gave its name to the principal room of the Classical Parthenon, perhaps because the later building occupies the same site.

With the expulsion of Hippias a new temple was built on the Acropolis, its foundations still visible to the south of the later Erechtheion. This building, the Archaios Naos, or 'ancient temple', is likely to have been deliberately commissioned around 506 BC as a replacement for the 'Bluebeard Temple'.
The first Persian invasion of 490 BC saw the victory of the Athenians at the battle of Marathon against the forces of King Darius of Persia. The following year the elated Athenians leveled an area on the south side of the Acropolis and began construction of the Old Parthenon. A new gateway to the Acropolis was also commenced, known as the Old Propylaia.

This post-Marathonian building program on the Acropolis came to a violent end in 480 BC when Xerxes, son of King Darius, led a second Persian invasion of Greece. Athens had to be evacuated and Xerxes razed the city and buildings on the Acropolis. Under the command of Themistocles, the Athenians destroyed the Persian fleet in the battle of Salamis. Victory over the Persians was ensured after the battle of Plataea (479 BC), to the northwest of Athens, when a combined Greek army annihilated the Persians.

In the aftermath of the battle of Plataea, a vow was made by the victors never to rebuild the shrines that were destroyed in the war, preserving them instead as memorials for later generations.

Pericles, who was a general and statesman, came to power in Athens around 461 BC. He considered the oath of Plataea to have been fulfilled, as thirty years had elapsed from the Persian invasion, and proceeded to reconstruct the temples on the Acropolis. He gathered together the best architects and artists in the city and plans were drawn up to erect new buildings that would outshine those torn down by the Persians. The Periclean building programme enhanced the lower city with new monuments, such as the Temple of Hephaestus, also known as the Theseion, and the Painted Stoa or Poikile situated near the Agora (marketplace).




To explore the city where all of the above have taken place you will definitely need an Athens Travel Guide or you can just take a look at Ancient Athens Pictures and if you like the location much you can choose among the variety of Athens hotels.

Saturday 20 November 2010

Perseus Costume From "Clash of the Titans"

Released by Warner Brothers on April 2, 2010, Clash of the Titans tells the perilous tale of Perseus, the half-mortal son of the Greek God Zeus who embarks on a journey to fulfill his fate. For years, movies with mythological themes have been popular with action-seeking audiences, not only for the exciting storyline but for the elaborate costuming bringing the characters to life. In Clash of the Titans, Academy Award winning costume designer Lindy Hemming brings her finesses for detail to the elaborate clothing worn in this epic film.

Thanks to Clash of the Titians, Greek god, goddess and monster costumes are sure to see a revival for Halloween this year. The protagonist, Perseus, will be a favorite character to emulate due to his handsome and heroic efforts to stop the underworld and its minions from ruining the heavens and Earth alike - and of course, to get the girl of his dreams, Andromedia.

An old-school Perseus costume can be created with a basic Greek God costume consisting of a scarlet toga, sword and shaggy brown hair similar to the look actor Harry Hamlin brought to the character back in the 1981 film version of the myth. However, the Perseus costume in the recent movie remake has a much different style. Actor Sam Worthington sports an almost shaved head and wears a costume that more resembles the garments worn by Roman Gladiators, not Greek Gods.

Those looking to put together Clash of the Titan or Perseus Halloween costumes, a metal skirt topped with breastplate armor should be paired with a sword and oversized shield for the big screen silhouette. Metal and leather arm cuffs and sandals with shin guards complete the battle-ready look. While there are not currently licensed Clash of the Titan's costumes on the market as of yet, a Gladiator costume similar to the costumes worn in the movie 300 will suffice. Oh, and the severed, snake-haired head of the evil Medusa will make a gruesome costume accessory!




Todd Denning
Costume Machine
Costume Machine is a costume search engine and costume idea generator. Find your perfect costume today at Costume Machine
http://www.costumemachine.com

Friday 19 November 2010

When Will Mr. 666 Arrive? Or Did We Miss Something?

In Eau Claire, Wisconsin, Ken Hasenmueller says he plans to trade in the license plate assigned to him at random for his Oldsmobile Cutlass: "666-KEN." He says at first he thought it was interesting. Now he fears people will think he's a Satanist.

The association between the number 666 and Satan comes from Revelation 13:18: "This calls for wisdom. If anyone has insight, let him calculate the number of the beast, for it is a man's number. His number is 666." Through the centuries, a great deal of superstition--let's call it what it really is--has attached itself to the numeral, so that people are as uneasy about being associated with it as they are about working in an office building on the 13th floor.

This superstition reached what was perhaps its high-water mark with the 1981 publication of When Your Money Fails by Mary Steward Relfe (Montgomery, AL: Ministries, Inc.). Relfe documents dozens of occurrences of the number 666 attached to a seemingly random list of objects, including dress shirts, credit cards, license plates, Egyptian warships, Treasury Department badges, Israeli telephone prefixes, charge accounts, and so on. Relfe states (59): "I unreservedly view the international usage of the number '666' by the present World System, to be presided over soon by Mr. 666, the False Messiah, as the Third Most Significant Fulfillment of Bible Prophecy in the Church Age (the past 2000 years)."

This is one example of what passes for biblical exegesis, and it makes me shudder. Just think about it! If you were reading an old newspaper and came across this statement, "I won't mention any names, but the man who is tearing our nation apart has the initials of A.L.," would you immediately conclude that someone with the same initials is about to tear America asunder in our day? Would the place the newspaper was published make any difference? What about the year of publication?

No doubt similar kinds of statements appeared in newspapers across the southern states of the U.S. in the fall of 1860 and the early spring of 1861. The initials, of course, belonged to Abraham Lincoln. If someone thought the statement was about to be fulfilled now, you might point out the circumstances under which it was written, just before the Civil War (what the editorialist would have called the "War of Northern Agression").

You might also point out the grammar of the sentence in question. He "is tearing" (present tense), and "he has" (also present tense). Now, more than 100 years later, those present tenses do not still stand.

Now look again at Revelation 13:18, "This calls for wisdom"--present tense, not "This will call for wisdom." "If anyone has insight"--present tense, not "...will have insight." The phrases, "Let him calculate," and "it is man's number," and "His number is 666," are all in present tense. I ask, present for whom? The answer would have to be the same in interpreting Revelation 13:18 as in interpreting the 1859 Richmond editorial: present for the original readers. We have to interpret it as past tense for modern readers.

But, you say, Revelation is a prophecy about the end times, so we would have to project those present tenses more than 2000 years into the future. I know you assume that, but are you sure? This reasoning might be true within a vision, where the tenses are relative, but Revelation 13:18 is not part of the vision but part of the explanation. It's the part where the author says, "That's what I saw. Now let me tell you what it means." Tenses are vital in understanding the explanation parts of Revelation.

For more confirmation that we are taking the right approach, take a look at the opening verses of Revelation, and take seriously what you find there: "The Revelation of Jesus Christ, which God gave him to show his servants what must soon take place.... The time is near" (Revelation 1:1, 3). The book is not in the vision part but is busy explaining what the time frame is for the prophecy. We should take it quite literally: at the time Revelation was written its events were just about to happen.

So that there could be no mistake, Revelation closes by stating the same time-frame: "...to show his servants what must soon take place... the time is near" (Revelation 22:6, 10). These statements form bookends, two at the beginning of the Apocalypse and two at the end. They should not be ignored, as they usually are, but should be taken seriously. Perhaps, not all of Revelation's predictions are past to us, but certainly most of them are. The "bookends" convince me that we should assume a prediction in Revelation has a fulfillment that is in our past unless we have a strong reason from the text to believe otherwise.

That suggests that the original readers, those with wisdom, should have been able to calculate the meaning of who 666 referred to. When we remember that in both Hebrew and Greek the letters had numerical value and that people could refer to an event or a person's name by stating the number that was the sum of its letters, we are probably moving toward a first-century solution to 666.

The problem, as you might imagine, is that any number of names, descriptions, or series of abbreviations equal the same sum, identifying, for example, Gaius Caligula, Nero, Vespasian, and Domitian if an emperor is intended (the two most likely are Nero and Domitian). Descriptions include "titan" and "latin," among others. Just because we cannot say for certain which is correct does not mean we should turn to any of the modern solutions, which include Adolf Hitler, Henry Kissinger, Ronald Reagan, Bill Gates, and Barney the Purple Dinosaur, among many others.

I find Mr. Hasenmueller's objection to his license plate perfectly understandable. It's not a matter of superstition. He's just trying to avoid miscommunicating. It seems wrong exegesis, combined with 2000 years of association with the diabolical that has made triple-6 taboo. Reject it if you wish, but understand that it has no power over you--magical, diabolical, or otherwise. It is a label belonging to a man who once long ago persecuted the faithful people of God, but who learned that he, too, was only a mortal.




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Copyright ©2006 Steve Singleton

Steve Singleton has written and edited several books and numerous articles. He has been an editor, reporter, and public relations consultant. He has taught college-level Greek, Bible, and religious studies courses and has taught seminars in 11 states and the Caribbean.

Go to his DeeperStudy.com for Bible study resources, no matter what your level of expertise. Explore "The Shallows," plumb "The Depths," or use the well-organized "Study Links" for original sources in English translation. Check out the DeeperStudy Bookstore for great e-books, free books, and great discounts. Subscribe to his free "DeeperStudy Newsletter" or "DeeperStudy Blog."

Thursday 18 November 2010

The History And Lore Of Birthstone Rings

Since ancient times, rings have been recognized as a symbol of relationship, or a bond between the giver and the wearer of the ring. In some cultures, this was interpreted as a physical bond of ownership and control. For example in the ancient Greek myth of Prometheus, the god Zeus uses a ring of unbreakable adamantine to forever bind Prometheus to a rock as punishment for giving the secret of fire to mankind.
More often than not, however, ancient cultures recognized the ring as a symbol of emotional attachment. The perfect circle of a gold ring represents continuity, as in the eternal return of the seasons. The shape of a circle has always been a metaphor for faithfulness, unity, eternity or perfection, and there are many examples of this in prehistoric rock art. Birth stone rings evolved from this tradition

Certain personality traits have always been associated with each gemstone and the individuals whose birth month is represented by that gem. Legendary powers have been attributed to many birthstones and birthstone rings were worn to bring good fortune to their owner.

Birthstone rings have a rich history in many cultures. Most scholars agree that the history and legend of birthstones originated in the Old Testament story of a garment worn by the high priest Aaron. Each stone represented one of the twelve tribes, one of the signs of the zodiac and also one of the months of the year.

Over time, many of the birthstones have remained the same, with the same birthstone colors; some have changed slightly because their exact origins were unknown from the original text, and some have been interpreted to the proper minerals of those probably referred to in the in the original text. Here is a good page to view birthstone rings.

Birthstone history and legends:

Garnet (birthstone of January):

Garnet comes from the Greek word "granatum" meaning "pomegranate seed". It is symbolic for many different religions. Ancient Hebrew legend states that garnet was one of the twelve gems in the breastplate of Aaron. Christians have seen it to symbolize the sacrifices of Christ. And the Koran states that garnet illuminates the Fourth Heaven of Islam. Primitive cultures believed garnet could smooth discord and prevent bloodshed.

Amethyst (birthstone of February):

Ancients believed amethyst would protect them from drunkenness. In fact its name is taken from the Greek "A-methystos", meaning, "not drunken". Legend has it that Bacchus, the Greek god of wine, grew angry with mortals, and vowed that the next mortal to cross his path would be eaten by tigers. Just then a young maiden named Amethyst was on her way to worship the Goddess Diana. Diana, Knowing of Bacchus' plan turned Amethyst into a statue of colorless quartz to save her from the tiger's teeth. Bacchus, seeing this repented and cried tears of wine over the young Amethyst, staining her purple.

Aquamarine (birthstone of March):

Aquamarine comes from the Latin for "sea water". It is said to offer the wearer foresight, courage, and happiness. Legend is that sailors wore it to sea to keep them safe and ward off seasickness. It was also believed to be the treasure of mermaids. Aquamarine is said to bring love, increase intelligence, and restore youth.

Diamond (birthstone of April):

The word diamond comes from the Greek "adamas", meaning, "unconquerable". The Greeks believed diamonds to be star splinters fallen to earth. The tradition of diamonds as a symbol of love comes from the Roman belief that Cupids arrows were tipped with them. But the tradition of the diamond engagement ring didn't start until much later, when, in 1477, the Archduke Maximillian of Austria gave one to Mary of Burgundy.

Emerald (birthstone of May):

The Roman scholar Plinly loved emeralds because, in his words, "Nothing green is greener." The Moguls of India inscribed them with sacred texts and wore them as talismans. One such talisman, a 78 carat emerald, reads, "He who possesses this charm shall enjoy the special protection of God", in Persian. Cleopatra loved her emeralds more than any other gem, though it is now believed that her "emeralds" were actually peridot.

Alexandrite (birthstone of June):

Alexandrite was discovered in 1830 in Russia. As red and green, the colors of alexandrite, were also the colors of Imperial Russia, the stone was named after the Czarevich Alexander II on the occasion of his coming of age. Alexandrite is still believed to be a good omen in Russia.

Ruby (birthstone of July):

The ruby is said to bring wisdom, happiness, and health, and symbolizes success, devotion, and integrity. It was thought to bring good luck to both lovers and gamblers. The ruby was said to help mend bad relationships as well as encourage stable ones.

Peridot (birthstone of August):

Peridot is thought to ensure good luck, peace, and success. It is said that what Cleopatra thought were her "emeralds" were actually peridot. Legend has it that peridot was first mined on the Egyptian island of Zeberget, but only at night because it was believed that peridot could not be seen by day. Large peridots still decorate the shrine of the three magi at the Cologne Cathedral.

Sapphire (birthstone of September):

Ancient Persians believed that the earth rested on a giant sapphire and that the sapphire's reflection colored the sky. While some ancient Hebrew writers believed that the Ten Commandments were written on sapphire. More recently, the engagement ring Prince Charles gave to Princess Diana was a sapphire ring.

Pink Tourmaline (birthstone of October):

The word Tourmaline comes from the Singhalese "tourmalli" which means "mixed colored stones". Tourmaline is thought to represent autumn because the red and green colors of some tourmaline are reminiscent of the turning of the leaves. This is why it has become the birthstone of October.

Imperial Topaz (birthstone of November):

Topaz comes from the Sanskrit "tapas", meaning "fire". The Greeks believed it could increase strength and make the wearer invisible. The Romans believed it could improve eyesight. And the Egyptians believed a topaz amulet could protect the wearer from injury.

Blue Zircon (birthstone of December):

Zircon, known to the ancients as hyacinth, provided the wearer with wisdom, honor, and riches. For women it was believed to aid in childbirth, and for men it was believed to keep evil spirits and bad dreams away. When zircon lost its luster it was thought to be warning of danger.

The physical properties of birthstones:

Science and spirituality often seem to cross paths, and the physics of birthstones are an exceptional example. Birthstones are among the most dense crystalline substances on the planet, formed from millions of years of pressure under the earth's crust. The enchanting birthstone colors are the result of both the source element and the precise alignment of the crystals within the gem.

In a physical sense, birthstones concentrate energy and redirect it along a certain prismatic path. The ancients believed that wearing birthstone rings transferred the power of the gem from each finger to a different area of the body. The third finger of the left hand, for example, transferred energy to the heart, which is why it is traditionally used for an engagement ring.

The modern laser was invented with the use of a ruby, which concentrates ordinary light into a higher energy level that can be directed on a coherent path, a pinpoint that travels extreme distances without dispersing.

Diamonds are the most highly conductive substance known, and are currently at the leading edge of future computer technology.
If there is any physical reality that underlies the wearing of birthstone rings, it is perhaps summarized by the great psychologist Carl Jung, who said, "The meeting of two personalities is like the contact of two chemical substances; if there is any reaction, both are transformed."




Casey Buell is an expert in the field of gemstones and diamonds, and a contributor to the award winning mother's ring website located at http://www.momsring.com.

Wednesday 17 November 2010

Christian Meaning of Names - A Review of Popular and Unpopular Names

There are various Christian names with each containing a specific meaning. Many of the names fall under Hebrew, Greek and Latin categories. They generally reflect all the good qualities of God like love, peace, strength and wisdom. To obtain a more accurate picture of this, a review of names is given below.

Christian Meaning of Names - Boys Names.

This can be divided into two sections, being popular and less popular. The more popular Christian boy names and their meanings are Abel which means vanity and breath. Another very popular name is Abraham and the meaning is father of a great multitude. The meaning of Benjamin is son of the right hand, while Daniel refers to judgement of God. Gabriel means God is my strength. Adam stands for earthy or red. Cain relates to possession, while Ishmael means God that hears. Job means he that weeps or cries and Matthew is a reward. Moses stands for being drawn forth while Noah and Peter means consolation and a rock or stone, respectively.

The less popular boy names are Aaron which means a teacher and also mountain of strength. Abiathar means excellent father and father of the remnant. Eliphaz means the endeavor of God. Elkanah is the zeal of God. Hur means liberty or whiteness and Isaiah means the salvation of the Lord. Joel stands for he that wills or commands, while Josiah means the fire of the Lord. Lazarus is assistance of God and Matthias is the gift of the Lord. Nathaniel means the gift of God, while Phineas stands for face of trust or protection. Reuben is the vision of the son and Tobiah means the Lord is good. A very good name is Uriah which means the Lord is my light or fire.

Christian Meaning of Names - Girls Names.

There are also Christian girl names which also stay in line with the likeness of God. A few of these names and their meanings are Ariel which means light or lion of God. Bernice represents one that brings victory and Bethel is the house of God. Elisha stands for salvation of God while Eunice means good victory. Jael means one that ascends and Joanna is grace or gift of the Lord. Naomi means beautiful while Phoebe stands for shining or pure. Sarah is a strong name which means princess of the multitude and Susannah means joy. Zilpah means distillation from the mouth.

All these names help to reflect God's power and love for all people. It is said that God created all of us in the image of his likeness and the names above show all the good qualities of God. People with the names above will hopefully be very blessed and any parents who are looking for a name for their child or children, can choose one of the above names as they see fit.




Kevin Campbelle has a Christian Song Lyrics christian site which features lyrics to top christian songs from various christian artists. Website: http://www.best-christian-song-lyrics.com/

Tuesday 16 November 2010

The Temple of the Blonde Goddess

The Exoticization of the feminine is a unique cross to bear for the non Western European Anglo-Saxon, Nordic, Celtic, or Teutonic female. For years in the West, at least in the world of Madison Avenue advertising, the revered concept for feminine beauty was the blue-eyed blonde from Southern California. The blonder the better, the bluer the eyes the better, and the more buxom the better, for it was revered as a modern version of Aphrodite, the ancient Greek goddess of Love, Sexuality, and Beauty. Many females are epitomized this quintessential gold standard of what a woman must physically look like to be worshiped .... Christie Brinkley, Bridgit Bardot, Claudia Schiffer, Farrah Fawcett, and Pamela Anderson who has personified her best in commercial history.

So what happens to the women who will never fit into that mold?

A variety of things. In my case I was the adult version of the little Asian girl in the Dove Campaign for Real Beauty Ad who seemed as if she would cry because as the caption said "Wishes she were blonde". Since my early adolescence, especially growing up in a predominantly homogenous city in the West, this was a latent wish. If only I looked like that I would be accepted, loved, adored, included, and treated as a human being. Remember that this was the late 80's/early 90's in Calgary, Alberta, a city that was the Canadian version of Houston, Texas complete with attitudes and prejudices. My looks gave me a feeling of being an alien and a deep rejection at the alienation of peers.

When I was barely 17 I moved to Toronto, 3000 miles east, and the most multicultural city in the world according to the United Nations. I was running away from the Rocky Mountain town of my childhood in Calgary, Alberta, Canada and my first "puppy love" who was the only safe person in my adolescent peer group. He was kind, accepting, and a friend who seem to want to make me feel better. I was also so vulnerable that I felt a reinforced romantic inferiority when he dated Miss Teen Calgary and every other Stampede Princess around. He was handsome, athletic, intelligent, popular, and came from a good family. He loved blondes but dated the occasional redhead and brunette.

Once in Toronto I was no longer odd looking but I was to experience the exoticization of my looks. People related to me as a culture, or a set of conceived notion of subservient Filipino women, and spoke to me in Tagalog, one of a thousand dialects from the Philippines which I never learned because my dialect was the very different Visayan. Men would flirt with me by using Filipino words that were more foreign to me than them. Some would sing the Philippine national anthem which they understood and yet I could not verify if it were true. Men and women assumed I was either a nanny who spoke accented English or came to Canada as a mail order bride. Even when I spoke in a Canadian accent and explained that I had grown up here since age two it seemed not to register. I was treated or expected to be the image presented on a Philippine Tourist Ad in travel agencies. When my personality was seen as opposite that anyone interested would quickly vanish because it did not fit into their mental construct of what an Asian woman was like. So the early twenties was single doom to a hilt and once again, Blondie got the invitations, dates, and love and romance galore in my eyes. Either I was a female but exotic in looks but not temperament or just "not from the background wanted". Fighting against my own cultural demands on women and the dominant Western culture was a double whammy that seared into my mind that it, love, was not for me. I invested all my energy into work and hobbies and making friends and divorced myself from the mere possibility of romance. Sure I went through a phase of dating Bay Street types but it was "just lunch dates between work".

Coinciding with this inner ethnic battle was the huge popularity of Baywatch in the early 90's and the superstardom of Pamela Anderson as the most desired lifeguard on the planet. Living in University residence had many girls adopt her look and many boys hang her picture (clothes and not all) on their walls. Being this latest variation of the blonde goddess complements of syndicated TV in her newest incarnation of busty all out sex pot worked. I just had to count the dates. So once again it was driven inside at a greater force than before. The natural female desire to be noticed and replaced by a drive to be busy and be productive like a good Protestant work ethic would entail yet never mind I was Catholic. A part of me was sad and resigned and workaholic busyness was my anesthetic of choice. It was admirable but it didn't heal my heartbreak. Why would I settle to be with someone who only liked me because of some exoticization concept in their mind that I would have to play into? In my defiance and in sour grapes I decided to be myself and really be clear I was not that. My Asian stereotype pressure was disempowering.

Throughout my twenties I deliberately dyed my hair blue-black with an indigo sheen. I wore colors that favored my coloring. I was very serious about things. Too serious.

Where did I fit in this exoticization game because dates were few and far between? Who would date a workaholic serious all the time with a chip on her shoulder? The inner rejection continued through University, work life, and as I approached my late twenties had grown into such an emotional inferno that I consulted a plastic surgeon trained in Japan and the United States to have my eyes westernized and my nose made sharper. I was only 26 years old when this fixation dawned on me and spent three years attempting to raise funds for the double procedure. It was a yearning to be seen as me and a try at evading a more personal healing process requiring an exorcism of exoticization and its emotional demons.

I never had the surgery because it would have meant getting a month off from the operation given the double process. The cosmetic surgeon had said that if I did it twice I got a discount and it would be easier on the facial nerves. So I let that go and worked on using social activity to add to my remedy of busyness. Then at age 30 it hit me. Wounds long palliated were made fresh and raw by love itself. From age 26 several friends urged me to reconsider the surgery and heal the old hurts through proper counseling. Since the counseling was covered by insurance it was an easy but slow path to pursue. Over three years there was progress and growth and comfort in my skin that was emerging. I had done The Landmark Forum, The Hoffman Process, and physical activity in exercise and some yoga mixed with meditation. Things were easing off or so I thought.

What happened?

He parachuted into my life. A friend of a friend who had pursued getting to know me for a year. A chance opportunity and he was in my life trying to romance me with flowers and sensing what made me tick. For a brief summer it felt like I was having some teenage romance about 15 years overdue! I discovered how he had always been nearby me in many different parts of town. My mind tricked me to believing it was fate. Our astrological signs matched. He understood me without words. I felt very close to him. Nothing had prepared me for a sudden bliss of affection and connection but like all mirages. The Achilles heel was exposed. Other than Calgary puppy love from High School this was the only other guy who gave me a sense of safety and comfort. But unlike puppy love I felt I had to perform to keep the fondness and affection. Many times I would say to him, "How come you never pulled up my parents driveway when you were 16?"

How?

He was also a divorced single father. He had spent a decade with his former partner. She was my polar opposite in his own words. Polar opposite in looks, personality, temperament, background, upbringing, values, and every other which way. She was blonde. She emulated Pamela Anderson deliberately since he got together with her. In the Hoffman Process when someone loses their significant other they often in extreme denial select an emotional replacement who is the exact antithesis as a coping mechanism. The person is not chosen for themselves but rather for what they are not. The chooser really wants what they had but in an attempt to delude themselves otherwise they go in reverse. Once again, the exotic rendered me as a projection first and a person second. All his romantic gestures and thoughtful sweetness was not towards me but a projection of what he thought I was and could be.

It was like a love triangle with a living ghost who was never there but ever present. Constant comparisons and chronic complaints contrasted to my saintly ways. She was the sinner. I was the saint. Yet both archetypes could exist in one person and I knew there was more to the story. I didn't delve into it. I plotted an exit strategy when he took me away for a day in the country only to find out it was on her birthday so he could take his mind off her by having me there as some distraction. The day had been spent with mutual friends at a cottage until he began complaining in the drive home that night. His anger crossed the line when he said he was keeping tabs on who she had been dating since they split almost three years earlier. He had lied when I confronted him at the start about whether he was complete with what happened. I had told him that if he needed more time it was fine. But he lied and just incriminated himself.

I said nothing and choose to walk away in one week's time. The wound of adolescence came up fast and furious in an intensity like it never had before. A wound that never healed was slashed opened. Behind his back I blocked his emails, then his phone, and then called his voicemail when I knew he was not there. It was time for excommunicating the worshiper of the Blonde goddess like the raven-haired Athena who was the Greek goddess of war, wisdom, and strategy. Athena, the antithesis of Aphrodite, was the goddess who decided with her head and not her heart. My heart had been deceived and now my head would make it right.

"It's me. It's Tuesday morning around 9:30am, and I'm calling to say good-bye. Take care of yourself. Take care of your son. It was great spending time with you. Good luck to you."

That was it. I made it impossible for his reply. I willfully created boundaries to protect my spirit. I created circumstances so I would never hear his Blondie worship disguised as resentment ever again. I symbolically in my wounded vengeance and anger and sorrow killed off the source of a potential re-traumatic event in the name of exoticization. Months went by. The seething envy grew as if I was truly devoured by a lion. My workaholic intensity grew to an inferno of five hours sleep, back to back time slots filled in my day planner, and endless volunteer activities to take up time and commitment. When the hurt bothered me in my dreams I found solace and therapeutic healing in Hoffman workshops and Landmark seminars. Meditation was a daily mental prescription as was massages, acupuncture, and other body work. Nothing worked for long. I was now rejecting myself even though he was long gone. I couldn't stop.

Every time I saw a glamorous ad it had a blonde woman with the world at her feet. Talk about selective perception. Every time I saw an ad with an exotic woman she was made wild with imagery of the jungle. The blonde's sexuality was prestigious but the exotic's was dangerous and less than. This was a torment that would not end. I was causing my own turmoil and inner war. Six months after the breakup I was walking through a bookstore after work. I planned to buy a book for my girlfriend's birthday when I happened upon a title called "Transcendent Beauty". The book was new and part of a display on health and well-being subjects. I could not resist.

I picked up a copy and flipped through the pages on envy and jealousy and came across a sentence that began to break the spell of inferiority .... Could you imagine if only the red rose was considered the only flower that was beautiful. So I imagined a world without African Violets, Lilies, Daisies, Lilacs, and others that constitute a majestic garden. And so that one concept began the journey of realizing that being a first class me rather than a second rate someone else as the healing potion. The book focused on self acceptance and in reading more I knew that it was self-forgiveness that I needed. I was angry at me for being foolish enough to give this man a chance in the first place. There were a lot of red flags evident which didn't factor into my assessment. I gave someone the benefit of the doubt and it created an emotional crisis. I should have known that his baggage would press and press my wounds until they were raw but foolish optimism distorted my judgment.

What was the gift in call this? Healing, sensitivity, a more empathic understanding of the spectrum of human emotion, and maturity in the objective assessment of a person's nature. My life did become about honoring me as all the suffering forced me to allow the wounds to heal. The book and other tools joined me on a yearlong journey with starts and stops, lots of fears, moments of upset, and the easing of growing pains as the wounds began to close. The constant comparison script lost its loud voice and with help I overwrote my self-talk.

Nothing has changed. I am still visually exotic but I no longer wish to look like a red rose when I am say an African Violet or Tunisian Sunflower. Sometimes the nagging of comparison comes up but it goes away faster. I just focus on Transcendent Beauty's tools and the Buddhist practice of being in the present moment. The practice of a disciplined mind and appreciation are so simple they are brilliant and overlooked ways to be in positive consciousness. Luckily I have never seen the Blonde goddess worshiper again and thank God. My own self-respect, a hard earned gift from that situation, will never attract it again.

Why Transcendent Beauty? Why did it start a healing journey? Here is why from the book cover:

Often when we meet a person who's beautiful, we say that they "lit up the room." The transcendently beautiful have an inner beacon that's brilliantly lit and brimming with bliss. They've learned how to attract light while calming the ego-knowing that when the mind abides by the soul, the body, in turn, is connected to this knowingness, and transcendent beauty follows. Such people live in harmony-their health is abundant, their bodies are agile and fit, and their minds are vibrant and inspired. And while most people talk about attractiveness as being merely physical, true beauty definitely comes from the
soul.

Transcendent Beauty will take you on a journey where you'll see how easy it can be to shine yourself. If you embrace and practice the principles outlined in Transcendent Beauty, you'll see how easy it can be for you, too, to shine with an intoxicating power. One day without warning a shift will occur, and you'll suddenly realize that you're no longer trying to be beautiful-you are!

Lesson: Let no one, not even Madison Avenue, tell you that God makes junk!

P.S. In the Spring of 2008 a work project brought me back after many years to Calgary. The city had changed and was like a little Toronto in its multicultural atmosphere. I found my childhood puppy love. He still preferred blondes. Our friendship had long faded because we had changed so much. I thanked him for never roving his eye towards me because it would kept me in town. Instead, his "just friends" position on me was the greatest gift. It gave me Toronto and the wisdom of the Big City. It gave me New York and the streetwise attitude of Manhattan. It gave me California and the worldliness of the West Coast mixed with the East Coast. And had he asked me to stay the second time around ... the answer would have been no. He knows he will never be far from my heart but I will always be geographically far away from him.